扎卡里·凯恩斯博士
扎卡里·凯恩斯, Associate Professor of Music, coordinates the music theory curriculum at the University of Missouri-St. 路易。 He received his Ph.D. in Music Theory from the Eastman School of Music at the University of Rochester (2010), an M.A. in Music Theory (2003), and a B.S. in Music Education (2000) from Penn State University. While at Penn State, he also earned a Performer’s Certificate in Percussion.
凯恩斯博士是一位充满激情的教育家,自2010年以来一直在麻省理工大学任教。 在2024年,他被授予卓越教学校长奖,以表彰他对课堂教学,学生支持和课程设计的坚定承诺。
Dr. Cairns' research interests involve the modernist music of the Soviet Union during the Khrushchev Thaw, rhythm and meter in rock music, and film music theory. He has presented at numerous international, national, and regional conferences, and his work has been published in 皆musicologica, 音乐理论在线, 印第安纳理论评论, 域, and 音乐理论与分析。 In 2012, he was awarded a grant from the University of Missouri 研究 Board to conduct research at the Tanyeev Library of the Chaikovsky Conservatory in Moscow, Russia. 2021年,他获得了一笔校园级的资助,前往洛杉矶,在几个不同的图书馆和工作室档案馆研究电影配乐,参与一个项目,研究好莱坞电影配乐中对俄罗斯和苏联“恶棍”的音乐描绘。 While that project is ongoing, he is also very excited to be working on a book chapter on the concertos by John Williams, to be published as part of the forthcoming 约翰·威廉姆斯的剑桥伴侣 (ed. Frank Lehman).
As a composer, Dr. Cairns' works have been performed across the United States and in Europe. His work 两首男中音萨克斯和打击乐器 won first prize in the 2014 Percussive Arts Society's Composition Contest. An expanded version of that work, 男中音萨克斯管和打击乐的相互作用, was premiered at the World Saxophone Congress (SaxOpen) in Strasbourg, France in July 2015. A work for wind ensemble titled 月光折射 has been performed by numerous collegiate and advanced high school bands across the country. Other works include 有节奏的仪式 for 7 antiphonal tambourines (yes, you read that correctly), 打盹的国度 for two-part treble choir with piano, clarinet, violin, and percussion (also available for SATB choir with the same instrumental forces), 为马林巴和管弦乐五重奏举行的音乐会, and 通过 for alto saxophone and string trio. Another work, Blumenlieder (for mezzo-soprano, flute, cello, and piano), based on the poetry of St. 路易 native Sara Teasdale, was premiered in Stuttgart, Germany in 2018 as part of the American Days festival. 凯恩斯也非常活跃于为有竞争力的高中游行乐队作曲/编曲,在宾夕法尼亚州和马里兰州有大约25年的冠军乐队作曲经验。 凯恩斯博士的许多音乐会作品都可以通过C. Alan Publications和Carl Fischer购买。 请直接与凯恩斯博士联系,了解他未发表作品的表演信息。
扎卡里·凯恩斯和他的妻子惠特尼以及两个孩子住在密苏里州的圣查尔斯。
最近的研究
最近的出版物、演讲:
A video-article for SMT-V titled "电影音乐中的全音集合与时间错位." 2024年秋季。
A conference presentation titled "The Theme That Was Never Born: Deleted Music from Tiomkin's 《生活多美好" for the American Musicological Society, 2024年秋季。
A conference presentation titled "Internal and External Intensification in Goldsmith's 空军一号" for the Society of Music Theory, Fall 2022.
An published article titled “切换节奏:80年代摇滚音乐中的快速翻转和Polymetric Pogo” for 音乐理论在线, spring 2022.
An invited book chapter on multiple-row serialism in Denisov's music for a collection titled 二十世纪俄罗斯音乐的分析方法 (ed. Bazayev, Segall), Routlege Press, 2020.
进步:
An invited book chapter on concertos by John Williams (with special focus on his Flute Concerto and Bassoon Concerto) for the upcoming 约翰·威廉姆斯的剑桥伴侣 (ed. Lehman), Cambridge University Press, forthcoming 2026.
一项正在进行的关于枪与玫瑰和其他20世纪80年代金属乐队吉他独奏和声偏离的研究。
对20世纪80年代和90年代好莱坞电影配乐中俄罗斯恶棍的音乐描绘的研究(如上所述的拨款支持)。
作文
室内乐/独唱:
隔着与世隔绝的树林 为马林巴琴独奏
Blumenlieder (on texts by Sara Teasdale), for mezzo-soprano, flute, cello, and piano (commissioned by Die Akademie für internationalen Kulturaustausch, Stuttgart)
演唱会啊 马林巴和管弦乐五重奏 (Jeffrey Barudin博士委托)
八到十一:七个小号的四集 (由皇冠博彩小号合奏团委托;Lisa Blackmore,导演)
交互 男中音萨克斯和打击乐(2014年PAS作曲大赛冠军)
马林巴琴马林凯语 马林巴琴和djembe
通过 为中音萨克斯管和弦乐三重奏而作(由Chamber Project St. 路易委托)
有节奏的仪式 7个对唱手鼓(是的,你没看错)
大型乐器合奏团
都在 室内乐管弦乐队
追逐厄里斯 band (gr. 2.5)
妖术 管乐团(由Aaron Datsko及Lower Merion H.S.管乐团委托)
埃比尼泽 参加乐队
大张旗鼓:下一代 对于乐队(第3章)
希望依然存在 为乐队(2.5级;由约翰娜·斯坦巴赫尔和尼塔尼山中学七年级和八年级乐队委托)
这样或那样的恶作剧 管乐合奏(由David Wenerd和钱伯斯堡地区高中乐队委托)
月光折射 适用于管弦乐合奏(第5级)
月光折射 管弦乐组(2015年密苏里作曲家管弦乐项目大赛优胜者)
放松一下 对于乐队(第3章)
合唱/声乐
Blumenlieder (on texts by Sara Teasdale), for mezzo-soprano, flute, cello, and piano (commissioned by Die Akademie für internationalen Kulturaustausch, Stuttgart)
打盹之地 (text: Robert 路易 Stevenson) for 2-part treble choir with violin, clarinet, piano, and percussion
打盹之地 (文字:罗伯特·路易斯·史蒂文森)为SATB合唱团演奏小提琴、单簧管、钢琴和打击乐(2017年密苏里作曲家管弦乐队项目比赛冠军)
黑暗中的光明 (文本:亨利·沃兹沃思·朗费罗的《夜》和约翰福音1:5)为SATB合唱团,偶尔有分歧。 (由Nathan Zullinger博士和Haverford-Bryn Mawr室内乐歌手委托)
诗篇145 为SSATBB合唱团,小号和弦乐(由马修·马佐尼和中央长老会委托,克莱顿,密苏里州)
我的歌去了哪里? 钢琴独唱高音合唱团(与惠特尼·凯恩斯合写)